As of January 7, 2013, this website will serve as an archive site only. For news, reviews and a connection with audience and creators of theatre all over the country, please go to The Charlebois Post - Canada.

Search This Blog

Showing posts with label Alain Mercieca. Show all posts
Showing posts with label Alain Mercieca. Show all posts

Friday, February 17, 2012

Review: Depflies 2


The Night of the Living Losers II
Depflies again
by Byron Toben

The lovable losers of DEPFLIES 1 are back in Frappe les rues - part of a projected 13 part live bilingual soap opera about St. Henri denizens who hang out at a local Depanneur. In this installment, a star is born! The star is writer/director/actor Alain Mercieca's 7 year old daughter, Adele. The cast breaks W.C. Fields's famous warning to “Never work with children or animals” two fold...there is also a rodent in the plot...and gets away with it.
Mercieca plays Peter who works, sort of, at his half sister's Depanneur. His friend Roger, is a frequent  hanger-on in the dep as they discuss issues both mundane and existential. Brecht discussed “What is a Man?” but in loftier theatrical terms than the Franglais quips here.

Thursday, October 20, 2011

Review: Ogoki Nights II (LIFER)


The Debauchery Continues...
...in LIFER Ogoki Nights II 
by Chad Dembski

LIFER (Ogoki Nights II) is the continued story of tree planting that in this version takes place up in Northern Ontario near Wawa ("so nice they named it twice" is one of the funnier lines of the play) and other tiny Ontario towns where they travel to plant.  I did not see the first version of this play (Ogoki Nights I) but I can imagine it having quite the same type of premise; a large cast on a small stage, lots of transitions (black outs, set changes, props), and tons of references to the life of a tree planter.  I have never been a tree planter myself so when at the door I could hear them asking if each member of the audience coming in had been a tree planter ($10.00 a ticket, the only discount they offer) I could tell this piece was made by and for a very specific audience.