Kirsten Rasmussen, Dan Jeannotte
Seduction
An improv nub gets a lesson and is utterly fascinated
by Gaëtan L. Charlebois
Except for the two and a half hellish years I studied it in acting school, I like improv. It is theatre on a tightrope. When it's good it's acting with brains. (And you know it—quickly—when there are no brains involved in an improv.) Ask any actor and if he or she answers honestly, they will tell you it is the most difficult thing in the world to do properly. I do not always understand the ground-rules of improv, these days, but the bottom line is still this, with any improv show: are you being delighted?
