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Macbeth satisfies and stuns at Monument National
It IS a dagger...
by Rebecca Ugolini
Superstition holds that it’s the play whose name dare not be spoken, but the Montreal Shakespeare Theatre Company isn’t afraid to tempt fate. Their production of The Scottish Play is graphic, visually-arresting, and haunting, imbuing the famous play with new energy all the while screaming “Macbeth!”
Audience members sit on the periphery of all four sides of the square stage, either level to the action or watching over the railings of the balcony seating above, like spectators crowding a boxing ring from every angle. Thanks to directing by Aaron George, dynamic fight choreography by Paul DeTourreil, invigorating, dramatic, and almost tribal drumming by producer, percussionist, and set-builder Ace Lopes, and the eerie, cult-like movements of the production’s 12 Weird Sisters choreographed by Amy Blackmore, Montreal Shakespeare Theatre Company’s production of Macbeth feels appropriately frightening, claustrophobic, and mad.





